Source video: You tube (RAiscienze)
Wikio
Wednesday, December 29, 2010
Monday, December 27, 2010
Hérnia Inguinal Fotos
Quella vecchia locanda: Il tempo della gioia (1974)
WE STILL WRITES MAXIMUM Roselle (keyboard Quella Vecchia Locanda): PARTICIPATION that fills us with joy and is' a great honor for all of us.
THANKS MAX. Stay with us always :-)
After nearly two years of recording silence, but offset by a strong live activity (Controcanzonissima, Gualdo Pop, Piper Club, Festival of Vanguard Napoli) , the sextet Roman of "The old inn " recurs in the recording studio in January 1974 to produce what will be the last album of their career: "The time of joy . Compared to
debut album there are no more eccentric violinist Donald Lax, returned to the United States and Romualdo Colletta replaced for technical reasons. Arriving
Massimo Felice and Massimo Giorgi, the latter coming from the Portrait of Dorian Gray the future Goblin Claudio Simonetti .
but were still within the same record structure, it changes the label of the group that this time has a direct impact on RCA, as its subsidiary Help failure to financial troubles. Incidentally, "The time of joy" will be one of the last album produced by progressive U.S. multinational, is now much more interested to generate more salable to fusion and electronica. Compared with the first album
, do not change the inspiration to the great Baroque composers ( Corelli, Vivaldi and Bach ), the beautifully made and a marked taste for research into new sounds.
It 's very different but the general approach of sound.
Electricity creative and taste Hard-Prog of 1972, giving way greater orthodoxy and to a certain sobriety arrangements, found for example in ' no doubling on vocals latency and electric sound. A lack this, that puzzled many fans who judged the album cold and detached.
In fact, on the one hand it is true that without the creative madness of Lax and enthusiasm of the early days, temperance songs stiffened. However - remember to Classic Rock keyboardist Massimo Roselli - who has also hired the RCA intervened heavily on the original matrices (by order of then director Michelini ) , distorting not just the original consecutio 's work.
Also, just so come nell' album omonimo , anche in questo caso le parti vocali non riuscirono ad amalgamarsi omogeneamente all'impasto timbrico a causa di un missaggio a dir poco opinabile.
Musicalmente, nei primi due brani le citazioni classiche sono davvero ridondanti ( "A forma di…" ) e, perlomeno per i primi 10 minuti, il disco non riesce a decollare se non per la splendida intro di pianoforte di Massimo Roselli.
Senza essere malevoli quindi, potremmo tranquillamente asserire che tutta la potenza del disco si concentra nei quindici minuti del binomio " Il tempo della gioia " e " Un giorno un amico ". Solo in quell'arco di tempo infatti, la band viaggia in full swing and will really begin to wonder why the passion has not been extended to the entire album.
The title track for example, is wonderful: a fascinating mixture of classical and contemporary sounds where baroque and modern blend easily into a narrative that includes deadlifts polyrhythmic, calculated inharmonies and fragments voice reminiscent at times as much blood Reverse of the Medal (eg The Bible).
The sounds are varied and refined and is clearly perceptible feeling good group, nothing is out of place and just listen this track, the album is worth all .
" One day a friend " is played instead on more intimate topics, but with determination and ruthlessness a sign that the QVL would have much more to say.
Unfortunately, the prevalence of songs less restrictive and a bad record promotion, the album is penalized in terms of sales of that conflict, ultimately causing the dissolution of the final band.
In this regard, always tells Roselli :
" RCA experimented on us a new line of promotion: do nothing.
to promote them should think about the radio broadcast. [...] It would have been necessary at least go into specialized radio to promote our philosophy of music. "
and again, without much irony
" I read on some sites that QVL was dissolved by disagreements among its members, nothing further from the truth. The reason, in truth, it is more down to earth. We must thank the austerity period that nquel was adopted by the then government to save energy. The weekend was blocking traffic and engage local groups working less. It was, in effect, an economic problem . "
In any case, it was clear that the absorption capacity and the composition of the audience had changed compared to that back in 1972 when the group inflamed audiences of the Festival of Villa Pamphili .
Perhaps even the concept of "joy " was inexorably changing.
OLD INN - Discography 1972 - 1974:
1972: OLD INN
1974: THE TIME OF JOY
WE STILL WRITES MAXIMUM Roselle (keyboard Quella Vecchia Locanda): PARTICIPATION that fills us with joy and is' a great honor for all of us. THANKS MAX. Stay with us always :-)
After nearly two years of recording silence, but offset by a strong live activity (Controcanzonissima, Gualdo Pop, Piper Club, Festival of Vanguard Napoli) , the sextet Roman of "The old inn " recurs in the recording studio in January 1974 to produce what will be the last album of their career: "The time of joy . Compared to
debut album there are no more eccentric violinist Donald Lax, returned to the United States and Romualdo Colletta replaced for technical reasons. Arriving
Massimo Felice and Massimo Giorgi, the latter coming from the Portrait of Dorian Gray the future Goblin Claudio Simonetti .
but were still within the same record structure, it changes the label of the group that this time has a direct impact on RCA, as its subsidiary Help failure to financial troubles. Incidentally, "The time of joy" will be one of the last album produced by progressive U.S. multinational, is now much more interested to generate more salable to fusion and electronica. Compared with the first album
, do not change the inspiration to the great Baroque composers ( Corelli, Vivaldi and Bach ), the beautifully made and a marked taste for research into new sounds.
It 's very different but the general approach of sound.
Electricity creative and taste Hard-Prog of 1972, giving way greater orthodoxy and to a certain sobriety arrangements, found for example in ' no doubling on vocals latency and electric sound. A lack this, that puzzled many fans who judged the album cold and detached. In fact, on the one hand it is true that without the creative madness of Lax and enthusiasm of the early days, temperance songs stiffened. However - remember to Classic Rock keyboardist Massimo Roselli - who has also hired the RCA intervened heavily on the original matrices (by order of then director Michelini ) , distorting not just the original consecutio 's work.
Also, just so come nell' album omonimo , anche in questo caso le parti vocali non riuscirono ad amalgamarsi omogeneamente all'impasto timbrico a causa di un missaggio a dir poco opinabile.
Musicalmente, nei primi due brani le citazioni classiche sono davvero ridondanti ( "A forma di…" ) e, perlomeno per i primi 10 minuti, il disco non riesce a decollare se non per la splendida intro di pianoforte di Massimo Roselli.
Senza essere malevoli quindi, potremmo tranquillamente asserire che tutta la potenza del disco si concentra nei quindici minuti del binomio " Il tempo della gioia " e " Un giorno un amico ". Solo in quell'arco di tempo infatti, la band viaggia in full swing and will really begin to wonder why the passion has not been extended to the entire album.
The title track for example, is wonderful: a fascinating mixture of classical and contemporary sounds where baroque and modern blend easily into a narrative that includes deadlifts polyrhythmic, calculated inharmonies and fragments voice reminiscent at times as much blood Reverse of the Medal (eg The Bible). The sounds are varied and refined and is clearly perceptible feeling good group, nothing is out of place and just listen this track, the album is worth all .
" One day a friend " is played instead on more intimate topics, but with determination and ruthlessness a sign that the QVL would have much more to say.
Unfortunately, the prevalence of songs less restrictive and a bad record promotion, the album is penalized in terms of sales of that conflict, ultimately causing the dissolution of the final band.
In this regard, always tells Roselli :
" RCA experimented on us a new line of promotion: do nothing.
to promote them should think about the radio broadcast. [...] It would have been necessary at least go into specialized radio to promote our philosophy of music. "
and again, without much irony
" I read on some sites that QVL was dissolved by disagreements among its members, nothing further from the truth. The reason, in truth, it is more down to earth. We must thank the austerity period that nquel was adopted by the then government to save energy. The weekend was blocking traffic and engage local groups working less. It was, in effect, an economic problem . "
In any case, it was clear that the absorption capacity and the composition of the audience had changed compared to that back in 1972 when the group inflamed audiences of the Festival of Villa Pamphili .
Perhaps even the concept of "joy " was inexorably changing.
OLD INN - Discography 1972 - 1974:
1972: OLD INN
1974: THE TIME OF JOY
Further Review Ny Tax Returns
La Locanda delle fate: Forse le lucciole non si amano più (1977)
The seven musicians of Locanda delle Fate (name borrowed from a brothel) join in Asti in the second half of the '70s and, in some ways, are the classic example of a group right at the wrong time.
In fact, when they released their first and only LP dated 1977, Punk and the songwriting had definitely won the hearts young masses.
With some surge of pride too that same Prog was historically close to the end and the sporadic attempts to keep it up turned out to be mostly isolated, or worse, counterproductive.
For its part, including the receptivity of the artistic movement had become antagonistic to the same structural changes and political society: the Counterculture was plunged into crisis in June 1976 and had given way to pragmatic spontaneity del Movimento del '77 .
La stagione dei grandi Festival Pop era finita e la drammaticità degli eventi lasciava ormai pochissimo spazio alle complesse atmosfere del Progressive .
Eppure c'era chi ci provava ancora: dall'America Gianni Leone del Balletto di Bronzo pubblicava il suo primo album solista (" Vero ") sotto lo pseudonimo di Leo Nero , i Gramigna rispolveravano il Canterbury , la Pentola di Papin accennava a qualche riflusso classico nel più totale anonimato e i grandi gruppi storici ( Banco , Pfm e Orme ) stavano prendendo sempre più la via del Pop .
Gli Area e Demetrio Stratos , non a caso, quell'anno rimasero discograficamente silenti e, a questo punto, la " Locanda delle Fate " poteva dirsi realmente l'unico gruppo Prog del 1977, con tutte le complicazioni che ne derivarono.
Capitanata dal terzetto Conta, Gaviglio e Vevey (il primo, tastierista e gli altri due chitarristi) , poi integrata da altri quattro componenti tra the singer Leonardo Sasso, the large band of Asti was hired in early 1977 by the record company Phonogram , thanks to some demo tapes and live without any previous activity.
convened studies Polygram of Milan, Milan impact in his first and only album by the metaphorical title of " Perhaps the fireflies do not love most ," published in May, and preceded by a short promotional tour bring them in Rai.
Although the style is very spacious with Progressive Rock Tracks and Canterbury (and thus as we said, out of time) , the production does not skimp on the budget at all: Top-quality gatefold style Roger Dean with pictures of the inside, and a engraving masterful artistic Prestigious signed by the brother of Vangelis , Nico Papathanassiou , also starred at the time of the turning point of Art Chrisma .
Apart from the technical side, since the first of the seven songs in a playlist you'll find that "the fireflies and" is essentially a reflective work. The style is that of Prog English, but surrounded by a calmness that makes any particular 'incipit sovrastrutturale rispetto alla sua realtà storica.
I testi invitano l'ascoltatore a rifugiarsi nell'illusione quale unica alternativa all'asprezza del quotidiano e lo stesso protagonista delle liriche, Estunno (contrazione di Est ate e Au tunno ) , vive in ciascuna canzone tutte le diverse forme di ripiego su se stesso per estraniarsi dalla materialità e auto-ricompensarsi delle fatiche di una vita difficile.
Si va dal ricordo dell'infanzia (" Profumo di colla bianca ") all'evocazione dell'amore giovanile in " Looking for a new border ", ultimately, for the desire to supplement the shortcomings of its own past (" Estunno Dream ") before the acquiree awareness of a new spiritual dimension (" Asking wisdom ").
If we are then, a concept not too unhistorical if taken from the point of view of "transition between two eras " but unfortunately, so impractical that a formal response despite encouraging sales (over 5,000 copies sold) is not hoped followed the take-off .
In any event, beyond the historical evaluation " La Locanda delle Fate" is absolutely inscribed among the best teams Prog Italian, so much so that their LP is still remembered as one of the most valuable of the '70s.
Although highly indebted to the Channel prog and vitiated by a certain heaviness in the lyrics, "Maybe fireflies do not love most " is an extraordinary sophistication and there are no words that can compensate for the pleasure of ' listening.
a shame for the timing, but as the poets said: "time waits for no one . 
The seven musicians of Locanda delle Fate (name borrowed from a brothel) join in Asti in the second half of the '70s and, in some ways, are the classic example of a group right at the wrong time. In fact, when they released their first and only LP dated 1977, Punk and the songwriting had definitely won the hearts young masses.
With some surge of pride too that same Prog was historically close to the end and the sporadic attempts to keep it up turned out to be mostly isolated, or worse, counterproductive.
For its part, including the receptivity of the artistic movement had become antagonistic to the same structural changes and political society: the Counterculture was plunged into crisis in June 1976 and had given way to pragmatic spontaneity del Movimento del '77 .
La stagione dei grandi Festival Pop era finita e la drammaticità degli eventi lasciava ormai pochissimo spazio alle complesse atmosfere del Progressive .
Eppure c'era chi ci provava ancora: dall'America Gianni Leone del Balletto di Bronzo pubblicava il suo primo album solista (" Vero ") sotto lo pseudonimo di Leo Nero , i Gramigna rispolveravano il Canterbury , la Pentola di Papin accennava a qualche riflusso classico nel più totale anonimato e i grandi gruppi storici ( Banco , Pfm e Orme ) stavano prendendo sempre più la via del Pop .
Gli Area e Demetrio Stratos , non a caso, quell'anno rimasero discograficamente silenti e, a questo punto, la " Locanda delle Fate " poteva dirsi realmente l'unico gruppo Prog del 1977, con tutte le complicazioni che ne derivarono.
Capitanata dal terzetto Conta, Gaviglio e Vevey (il primo, tastierista e gli altri due chitarristi) , poi integrata da altri quattro componenti tra the singer Leonardo Sasso, the large band of Asti was hired in early 1977 by the record company Phonogram , thanks to some demo tapes and live without any previous activity. convened studies Polygram of Milan, Milan impact in his first and only album by the metaphorical title of " Perhaps the fireflies do not love most ," published in May, and preceded by a short promotional tour bring them in Rai.
Although the style is very spacious with Progressive Rock Tracks and Canterbury (and thus as we said, out of time) , the production does not skimp on the budget at all: Top-quality gatefold style Roger Dean with pictures of the inside, and a engraving masterful artistic Prestigious signed by the brother of Vangelis , Nico Papathanassiou , also starred at the time of the turning point of Art Chrisma .
Apart from the technical side, since the first of the seven songs in a playlist you'll find that "the fireflies and" is essentially a reflective work. The style is that of Prog English, but surrounded by a calmness that makes any particular 'incipit sovrastrutturale rispetto alla sua realtà storica.
I testi invitano l'ascoltatore a rifugiarsi nell'illusione quale unica alternativa all'asprezza del quotidiano e lo stesso protagonista delle liriche, Estunno (contrazione di Est ate e Au tunno ) , vive in ciascuna canzone tutte le diverse forme di ripiego su se stesso per estraniarsi dalla materialità e auto-ricompensarsi delle fatiche di una vita difficile. Si va dal ricordo dell'infanzia (" Profumo di colla bianca ") all'evocazione dell'amore giovanile in " Looking for a new border ", ultimately, for the desire to supplement the shortcomings of its own past (" Estunno Dream ") before the acquiree awareness of a new spiritual dimension (" Asking wisdom ").
If we are then, a concept not too unhistorical if taken from the point of view of "transition between two eras " but unfortunately, so impractical that a formal response despite encouraging sales (over 5,000 copies sold) is not hoped followed the take-off .
In any event, beyond the historical evaluation " La Locanda delle Fate" is absolutely inscribed among the best teams Prog Italian, so much so that their LP is still remembered as one of the most valuable of the '70s.
Although highly indebted to the Channel prog and vitiated by a certain heaviness in the lyrics, "Maybe fireflies do not love most " is an extraordinary sophistication and there are no words that can compensate for the pleasure of ' listening.
a shame for the timing, but as the poets said: "time waits for no one .
Images Of Ringworm In Chickens
Metamorfosi: Inferno (1973)
" was winter," say the Orme.
Italy came out in stores across the second working Metamorphosis.
I do not know what they expect fans of the former " Fragments" after a debut so focused on music beat-Catholic but certainly not an album that was released on 30 gennaio1973.
In fact, back in the wonderful cover of "Gamma Film" by Roberto Gavioli (that of "Mammoth, Babbut and Fliut,", "Cimabue" and "Firefighter Council") is sensed that something had changed: no more hellish scenarios biblical figures but not the brightest set on the songs of joy live and to believe, but dark tales of Hell features Dante.
The the band line up had changed: the guitarist Luciano Tamburro had gone without being replaced more and, in the rhythm section, drummer Mario Natali had given way all'inquieto Congolese Gianluca Herygers ( Bravo, but insane, "Jimmy told me personally ).
The Metamorphosis were then seated in the quartet but, while keeping intact the 3 / 4 of the old formation, had completely revolutionized both their image is, as we shall see, their sound.
Inferno is actually a concept album in total thickness Prog. A volcanic suite of 16 short movements in which the protagonists are put to the index of the ills of society ( drug dealers, greedy, racist, political etc.), updating the model proposed in Divine Comedy of Dante .
The spirituality of the group moves from the primitive magnification of a Faith otherworldly to the concrete complaint of those subjects that are corroding the civilized world , demonstrating not only a supervening maturity artistic and intellectual, but also the assumption of a common consciousness perfectly in step with the times .
The same sound of the disc has nothing to " It was the sixth day .
still peppered with quotations from mystical "Inferno" is a granite gait between different themed scenarios, all perfectly cohesive warp by a solid and varied musical and supported by a voice of rare power and incisiveness.
Each of the episodes that make up the album has its own well-defined personality and engages those adjacent forming a lineup of extraordinary beauty.
keyboards Enrico Olivieri (Sintex custom Elka, Hammond C3 and Plan ) are the harmonizing element of a groove that alternates expertly majestic songs ("I ntroduction ", "Charon ") to dark and gothic atmospheres (" Violent " drug dealer"), reaching peaks at times of immense passion (" Lussurios i).
The narrative tension and bending is not known, returns a Prog Rock , in many ways aligned with the more famous colleagues d'oltremanica.
La possente voce di Spitaleri raggiunge qui uno dei suoi tanti vertici interpretativi e la sezione ritmica Turbitosi - Herygers da quanto di meglio si potesse chiedere ad un'opera di questa caratura.
Anche se inficiato da un leggero pietismo poetico (che comunque era nella perfetta norma per quei tempi quale eredità dell' Underground ) , " Inferno " è da considerarsi un monolite del Prog Italiano per classe compositiva, strumentale e tecnica.
Capolavoro nel suo genere, and highly sought after by collectors around the world (so as to have been one of the world's most counterfeited album) , the disc also had a moderate commercial success by selling, they say, about 10,000 copies.
Defects? Yes there are, but certainly not attributable to the technical abilities of the group.
As happened to many smaller formations that dealt with themes of " epic" and "mystical " Metamorphosis also were accused of taking a little 'too seriously "with respect to their visibility and for this , appeared to many " opinionated" and "excessive ".
In this sense, the numerous appearances in various Pop Festival, though enriched by scenic never found trivial and a great theatrical impact, failed to translate the quality of their work in terms of commercial survival and this may , partly because of strong competition from which inevitably were crushed.
Scioltisi shortly after the publication of Inferno, the metamorphosis will reform in the 90s to create the sequel to their masterpiece, "Paradise " again with new ideas and always surprising the audience with their great heart Rock.
METAMORPHOSIS - Discography 1972 - 1975:
1972: AND WAS THE SIXTH DAY
1973: HELL
2004: HEAVEN
" was winter," say the Orme. Italy came out in stores across the second working Metamorphosis.
I do not know what they expect fans of the former " Fragments" after a debut so focused on music beat-Catholic but certainly not an album that was released on 30 gennaio1973.
In fact, back in the wonderful cover of "Gamma Film" by Roberto Gavioli (that of "Mammoth, Babbut and Fliut,", "Cimabue" and "Firefighter Council") is sensed that something had changed: no more hellish scenarios biblical figures but not the brightest set on the songs of joy live and to believe, but dark tales of Hell features Dante.
The the band line up had changed: the guitarist Luciano Tamburro had gone without being replaced more and, in the rhythm section, drummer Mario Natali had given way all'inquieto Congolese Gianluca Herygers ( Bravo, but insane, "Jimmy told me personally ).
The Metamorphosis were then seated in the quartet but, while keeping intact the 3 / 4 of the old formation, had completely revolutionized both their image is, as we shall see, their sound.
Inferno is actually a concept album in total thickness Prog. A volcanic suite of 16 short movements in which the protagonists are put to the index of the ills of society ( drug dealers, greedy, racist, political etc.), updating the model proposed in Divine Comedy of Dante .
The spirituality of the group moves from the primitive magnification of a Faith otherworldly to the concrete complaint of those subjects that are corroding the civilized world , demonstrating not only a supervening maturity artistic and intellectual, but also the assumption of a common consciousness perfectly in step with the times .
The same sound of the disc has nothing to " It was the sixth day .
still peppered with quotations from mystical "Inferno" is a granite gait between different themed scenarios, all perfectly cohesive warp by a solid and varied musical and supported by a voice of rare power and incisiveness. Each of the episodes that make up the album has its own well-defined personality and engages those adjacent forming a lineup of extraordinary beauty.
keyboards Enrico Olivieri (Sintex custom Elka, Hammond C3 and Plan ) are the harmonizing element of a groove that alternates expertly majestic songs ("I ntroduction ", "Charon ") to dark and gothic atmospheres (" Violent " drug dealer"), reaching peaks at times of immense passion (" Lussurios i).
The narrative tension and bending is not known, returns a Prog Rock , in many ways aligned with the more famous colleagues d'oltremanica.
La possente voce di Spitaleri raggiunge qui uno dei suoi tanti vertici interpretativi e la sezione ritmica Turbitosi - Herygers da quanto di meglio si potesse chiedere ad un'opera di questa caratura.
Anche se inficiato da un leggero pietismo poetico (che comunque era nella perfetta norma per quei tempi quale eredità dell' Underground ) , " Inferno " è da considerarsi un monolite del Prog Italiano per classe compositiva, strumentale e tecnica.
Capolavoro nel suo genere, and highly sought after by collectors around the world (so as to have been one of the world's most counterfeited album) , the disc also had a moderate commercial success by selling, they say, about 10,000 copies. Defects? Yes there are, but certainly not attributable to the technical abilities of the group.
As happened to many smaller formations that dealt with themes of " epic" and "mystical " Metamorphosis also were accused of taking a little 'too seriously "with respect to their visibility and for this , appeared to many " opinionated" and "excessive ".
In this sense, the numerous appearances in various Pop Festival, though enriched by scenic never found trivial and a great theatrical impact, failed to translate the quality of their work in terms of commercial survival and this may , partly because of strong competition from which inevitably were crushed.
Scioltisi shortly after the publication of Inferno, the metamorphosis will reform in the 90s to create the sequel to their masterpiece, "Paradise " again with new ideas and always surprising the audience with their great heart Rock.
METAMORPHOSIS - Discography 1972 - 1975:
1972: AND WAS THE SIXTH DAY
1973: HELL
2004: HEAVEN
Saturday, December 25, 2010
Rubermaid Factory Outletmississauga
MERRY CHRISTMAS
TO ALL READERS OF
SEE TO BELIEVE
Image source: http://www.valkiro .org/wp-content/uploads/2009/05/natale1.jpg
Wikio
Wednesday, December 22, 2010
Replacing Front Lens Canon
Balletto di Bronzo: Sirio 2222 (1970)
The Balletto di Bronzo was born in Naples an idea of \u200b\u200bthe future of DJ "for you young " Raffaele Cascone that with drummer Giancarlo Stinga , bassist Michael Cupaiuolo or singer and guitarist Mark Cecioni offers music beat at the foundations of Italian NATO under the name "Wild Beaters."
Cascone however, soon abandons his companions and they replaced him with former "stone faces" Lino Ajello . Finally, the quartet completes its metamorphosis, adopting the name Art Balletto di Bronzo, inspired by the popular picture of Edward Wadsworth 1940, "The Bronze Ballet .
Thus stabilized, the newborn training, arrived in 1969 to his first recording contract with ARC , historic RCA label pilot among whose ranks had also fought the Rokes, Patty Pravo, Dino and Lucio Dalla.
Onset makes headlines e l'indiavolato 45 giri " Neve calda " (promosso due volte in RAI alla trasmissione "Chissà chi lo sa" e tradotto anche in spagnolo) la traghetta in meno di un anno all'etichetta madre RCA .
A fronte di tanta considerazione, il " Balletto " rilascia così un secondo singolo, " Si Mama Mama" / Meditazione " (1970) e finalmente pubblica in maggio il suo primo e memorabile album, " Sirio 2222 ": disco ricercato non solo per motivi collezionistici, ma anche perché rappresentativo di un modus tutto particolare di traghettare il beat nelle forme più creative del rock .
The album is amazing for a good dynamic for the cohesion of the group that returns every single piece in a fantasy almost shameless.
From the first song "A place ", the musicians demonstrated to have an edge over their contemporaries: it co-exist in fact a wise use of rhythmic breaks that seem to multiply the structure of songs, repeated grafts and harmony that makes all songs exclusive and never rams.
Another good example of this contamination progressive "avant la lettre" is the song "Eh eh ah ah " in which an unexpected intervention of harmonic fringes and shares no apparent reason, a low fluid structure that recalls the blues of Canned Heat .
There are then the volcanic strutturatissima " Hot Snow," the classical "Meditation " jewel pre-progressive and psychedelic suite " Mission Sirius 2222" with its nine minutes and a half carves out a place of his own in the post-beat Italian.
The rest is a rock sincere, well structured and without concessions to the obvious: commendable voice Marco Cecioni and the inexhaustible and colorful battery Jenkins Stinga . This, of course, without diminishing the ubiquitous work of bass and guitar finish and claim the rest of the tonal structure.
The production, however, is still thin and listless: a clear sign that the major American in the group sensed a great opportunity, but without committing too much in recognizing the artistic value and, above all, without giving a ' appropriate promotion.
The album then goes completely unnoticed and, Even more annoying for a beginner band, the musicians will not be recognized no "credit" in the liner notes, except for a photo taken in the studio.
Paradoxically, the names of the authors of the songs are actually allocated to people outside the project ( Della Bruna, Simonelli, Gioieni, Iarrusso, Umiliani ) but today we know that the real composer of the music were the only Ajello, Stinga and Cupaiuolo .
Another thing that is certain is that the name of Piero Umiliani was approached to " you wake up with me " in quanto quel brano fu scelto per i titoli di coda del film di Mario Bava " Cinque bambole per la luna d'agosto " (1970) per cui lo stesso Umiliani compose la colonna sonora. Non è dato però di sapere in che termini vi mise mano.
Fortunatamente, malgrado lo scarso impatto commerciale, le idee del Balletto avevano attecchito nella Napoli più avanguardistica, attirando in particolare l'attenzione del vecchio amico Gianni Leone che, con il suo ingresso nella band, la portò ai livelli più alti del progressivo Italiano con il successivo trentatrè giri " Ys ".
The painting "The Bronze Ballet" (1940) by Edward Wadsworth is still on display at the Tate Gallery in London.
BALLET BRONZE - Discography 1970 - 1972:
1970 - 2222 SIRIO
1972: YS
The Balletto di Bronzo was born in Naples an idea of \u200b\u200bthe future of DJ "for you young " Raffaele Cascone that with drummer Giancarlo Stinga , bassist Michael Cupaiuolo or singer and guitarist Mark Cecioni offers music beat at the foundations of Italian NATO under the name "Wild Beaters." Cascone however, soon abandons his companions and they replaced him with former "stone faces" Lino Ajello . Finally, the quartet completes its metamorphosis, adopting the name Art Balletto di Bronzo, inspired by the popular picture of Edward Wadsworth 1940, "The Bronze Ballet .
Thus stabilized, the newborn training, arrived in 1969 to his first recording contract with ARC , historic RCA label pilot among whose ranks had also fought the Rokes, Patty Pravo, Dino and Lucio Dalla.
Onset makes headlines e l'indiavolato 45 giri " Neve calda " (promosso due volte in RAI alla trasmissione "Chissà chi lo sa" e tradotto anche in spagnolo) la traghetta in meno di un anno all'etichetta madre RCA .
A fronte di tanta considerazione, il " Balletto " rilascia così un secondo singolo, " Si Mama Mama" / Meditazione " (1970) e finalmente pubblica in maggio il suo primo e memorabile album, " Sirio 2222 ": disco ricercato non solo per motivi collezionistici, ma anche perché rappresentativo di un modus tutto particolare di traghettare il beat nelle forme più creative del rock .
The album is amazing for a good dynamic for the cohesion of the group that returns every single piece in a fantasy almost shameless. From the first song "A place ", the musicians demonstrated to have an edge over their contemporaries: it co-exist in fact a wise use of rhythmic breaks that seem to multiply the structure of songs, repeated grafts and harmony that makes all songs exclusive and never rams.
Another good example of this contamination progressive "avant la lettre" is the song "Eh eh ah ah " in which an unexpected intervention of harmonic fringes and shares no apparent reason, a low fluid structure that recalls the blues of Canned Heat .
There are then the volcanic strutturatissima " Hot Snow," the classical "Meditation " jewel pre-progressive and psychedelic suite " Mission Sirius 2222" with its nine minutes and a half carves out a place of his own in the post-beat Italian.
The rest is a rock sincere, well structured and without concessions to the obvious: commendable voice Marco Cecioni and the inexhaustible and colorful battery Jenkins Stinga . This, of course, without diminishing the ubiquitous work of bass and guitar finish and claim the rest of the tonal structure. The production, however, is still thin and listless: a clear sign that the major American in the group sensed a great opportunity, but without committing too much in recognizing the artistic value and, above all, without giving a ' appropriate promotion.
The album then goes completely unnoticed and, Even more annoying for a beginner band, the musicians will not be recognized no "credit" in the liner notes, except for a photo taken in the studio.
Paradoxically, the names of the authors of the songs are actually allocated to people outside the project ( Della Bruna, Simonelli, Gioieni, Iarrusso, Umiliani ) but today we know that the real composer of the music were the only Ajello, Stinga and Cupaiuolo .
Another thing that is certain is that the name of Piero Umiliani was approached to " you wake up with me " in quanto quel brano fu scelto per i titoli di coda del film di Mario Bava " Cinque bambole per la luna d'agosto " (1970) per cui lo stesso Umiliani compose la colonna sonora. Non è dato però di sapere in che termini vi mise mano. Fortunatamente, malgrado lo scarso impatto commerciale, le idee del Balletto avevano attecchito nella Napoli più avanguardistica, attirando in particolare l'attenzione del vecchio amico Gianni Leone che, con il suo ingresso nella band, la portò ai livelli più alti del progressivo Italiano con il successivo trentatrè giri " Ys ".
The painting "The Bronze Ballet" (1940) by Edward Wadsworth is still on display at the Tate Gallery in London.
BALLET BRONZE - Discography 1970 - 1972:
1970 - 2222 SIRIO
1972: YS
Tuesday, December 21, 2010
Kathy Van Zeeland Leopard Luggage
Standings Smartphone 2010
Image source: http://www.rctelefonia.it/images/full04.jpg
E 'exponential increase in the number of phones running Android, the real surprise telephony market in the 2010, which has become the true rival of 'Apple OS.
The ranking of the 2010 smartphone is:
Wikio 
Image source: http://www.rctelefonia.it/images/full04.jpg
E 'exponential increase in the number of phones running Android, the real surprise telephony market in the 2010, which has become the true rival of 'Apple OS.
The ranking of the 2010 smartphone is:
- S GT-I9000 Samsung Galaxy
- Apple iPhone 4
- HTC Desire
- Nokia N900 Sony Xperia
- 10 Mini Pro
Wikio
Monday, December 20, 2010
Saturday, December 18, 2010
Thursday, December 16, 2010
Sunday, December 12, 2010
Friday, December 10, 2010
Wednesday, December 8, 2010
Tuesday, December 7, 2010
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