Brazilian Weave Online

De De Lind: Io non so da dove vengo e non so dove mai andrò. Uomo è il nome che mi han dato (1973)

The quintet of Varese De De Lind (the name of a Playmate named "Miss Playboy " nel 1967 - foto in basso a Dx ) fu uno dei tanti che arrivò al Progressive negli anni '70 passando per il Tardo Beat .

Le sue origini sono radicate negli anni '60 quando il gruppo firmò ben tre 45 giri: il primo datato 1969 con formazione a sei per l'oscura discografica Windsor e gli altri due nel biennio '71-'72, con la definitiva formazione a cinque per l'etichetta Mercury , alla quale rimasero fedeli per tutto il loro percorso professionale.
Nel gruppo, il più noto era probabilmente il batterista Ricky Rebajoli già con i Nuovi Angeli e i New Dada .

La svolta style is in 1972 when the band veers decidedly hard to sound more and begins to appear a bit 'anywhere in the various national Festival including the' Euro Davoli of Livorno and Travagliato Festival in 1972.
After releasing their first album, are also participating in Davoli Pop of Reggio Emilia and the legendary Be-In of Naples in 1973 where they are defined as "original and accurate " by journalist Hello 2001 Fiorella Dear , but "less good all other " by Mr Dario Salvatori : a critical dichotomy that never abandonment De De Lind the way to their end.

Not for nothing, when they released their first ELLEPI entitled " or I do not know where I'm from and I do not know where ever I go. Man is the name I have given " (a title from the Guinness Book of Records ), opinions are sharply divided into three factions are completely different. The

first and most depressing, was certainly the indifference of the whole counterculture movement that, despite the good of the band presenteeism not worth any attention to their work. A middle way
, but not too good-natured, was represented instead of the moderate appreciation of Enzo Caffarelli that still called them on the pages of Hello 2001 " nothing new under the sun .
" topics of personal introspection that inevitably end up being the most trivial ", " sketchy and many ideas to be developed ", and "an album titled mileage [...] with some shaky beam, for perhaps building a future filled with good results "were the most significant observations.

The third and final position, the positive probably existed at the time but never manifests itself .
Only thirty years later came out advice such as: " product quality excellent, one of the best period " (Alessandro Gaboli and GiovanniOttone - At Editions), and "Well played and well sung [. .] much poetry in the lyrics "( Giordano Casiraghi - Editori Riuniti ).

Unfortunately, the harsh truth was that of De De Lind did not care to anyone and the group broke up quickly amid general indifference. The only singer Vito Paradiso attempted a solo career, but after two hapless albums in 1978 and 1980 and a stint as a lyricist Dik Dik, who also had to resize his dreams of glory.

Personally, I can not even I fail to raise several concerns on this disc.
Without in any way trying to take over his essentially tonal, the executive power of the musicians and professionalism of the production , " I do not know where I come from ... " is an album by exposure fragmented and not easily summarized as follows: a sequence of styles that ranges from 'hard rock more repetitive and predictable ("Back in time ", "Desire to live "), regardless of contamination electroacoustic ( Lost "), of which unfortunately no one ever took effect.

In other words, a job seemingly stable and organic, but despite the good intentions, fragile and discounted since its foundation.
I do not know what the production really has followed the group. Probably with greater stylistic homogeneity and a little 'more attention conflict, the De De Lind could give much more. The
stroria But, of course, does not look at anybody.

Whats A Good At Home Wax

THE TRUE STORY OF THE OCCULT & THE ITALIAN NATIONAL REVIVAL TRUTH 'ON South










THIS POST MENTIONS THE ITALIAN NATIONAL REVIVAL FROM THE POINT OF VIEW OF THE INHABITANTS OF THE Kingdom of Two Sicilies.
We'll see
Cruelty 'never mentioned in history books ARMY OF SAVOY TO ANY OF THE POOR FARMERS AND CITIZENS of the South.

REBUILT THIS STORY ALSO MENTION OF MASONRY TIES WITH THE ITALIAN NATIONAL REVIVAL AND IN PARTICULAR BY GIUSEPPE GARIBALDI That does not seem ONE WAY BUT A REAL HERO BLOODY AND ITS AMBITIOUS.













THE SOUTH AND THE PEOPLE WAS SO 'forced to emigrate elsewhere because' robbed of all his treasure INCOME FROM ITALY WHO wanted to do.






WHY 'this uncomfortable story of how WAS MADE ITALY IS NOT NEVER TOLD IN BOOKS FOR SCHOOL?



THIS DOCUMENT IS INTENDED TO REFLECT ON WHY 'THE SOUTH AND' ALWAYS RAPE AND mocked by people of the North.











WITH ALL ITS MYSTERIES AND HALF-TRUTH 'OUR ITALY AND' REALLY A NATION FREE FROM FREEMASONRY AND THE MANY SECRETS LOSC ambiguous and that still envelop our country?


MICHAEL P.

















Brigantaggio

for robbery is usually defined as a form of banditry characterized by acts of violence during a robbery and extortion but that had, in other circumstances, implications insurgents politically motivated and socially.



BRIGANTI E BRIGANTAGGIO


Generalmente ci si riferisce alle bande armate sorte nel Mezzogiorno italiano durante il processo di unificazione d'Italia e il primo decennio del Regno, che vide contrapporsi gruppi di braccianti ed ex militari borbonici contro le truppe del neonato Stato italiano.




« Per le plebi meridionali il brigante fu assai spesso il vendicatore e il benefattore: qualche volta fu la giustizia stessa. Le rivolte dei briganti, coscienti o incoscienti, nel maggior numero dei casi ebbero il carattere di vere e selvagge rivolte proletarie. Ciò spiega quello che ad altri e a me e accaduto tante volte di constatare; il popolo delle campagne meridionali very often do not know even the names of the founders of Italian unity, but remember with admiration the names of Caesar and Abbot Angelo Duca and their more recent imitators. "
(Francesco Saverio Nitti)













THIS 'A STORY THAT IS NOT ONLY UNCOMFORTABLE TO BE TOLD, BUT MUST ALSO BE LIGHT ON HOW 'IS THE shady organized crime that Freemasonry, even today, RIDING WITH GLORIA Shadow!


MICHAEL P.







... Dulcis in Fundo

Pinky Big Booty Wikypedia

Napoli Centrale: Mattanza (1976)

Nel 1976 il movimento è più che mai attraversato da soggettività diverse e se da un lato questa policromia sociale ne avrebbe in breve tempo minato la stabilità, dall’altro ne arricchiva sicuramente la potenza sovversiva e la complessità delle sue produzioni .

Intanto, nelle grandi metropoli post-industriali quali Milano, Roma o Torino , il flusso immigratorio si è assestato. Molte delle diffidenze del primo periodo si sono appianate e il tessuto umano delle città sta gradualmente assumendo poliregionalità that in later years will assume that transnational connotations .

In such a context, it is therefore quite clear that in many cities were now fully viable (if necessary) speeches at "regional " and this not only at festivals poplari or nostalgically entertaining a handful of immigrants, but with the spirit of modernize language continuing on the road for some time inaugurated by the Compagnia di Canto Popolare New and Canzoniere del Lazio.

In fact, from a musical point of view begins a consolidarsi realtà che sino ad allora avevano faticato ad imporsi e che tecnicamente, si pongono come il superamento del Prog classico ormai contaminato da altri generi tra i quali funk e musica etnica o popolare.

In sostanza non si tratta più, di superare l’antitesi “ avanguardia-tradizione ” in maniera colta come fecero gli Opus Avantra o i Pierrot Lunaire , ma di adeguare un idioma sino ad allora reputato “ folclorico ” alle nuove domande di una società in trasformazione .
Since 1975, the group that testified of the effectiveness of this mix between "vox populi" and modernity, it was definitely Napoli Centrale who returned from a very successful first album in 1975 , came the ' year after the second test on vinyl: " Mattanza .

Compared to the debut album, resist the hard core training consists of Senese and Del Prete , while Tony Walmsley and Mark Harris they go in the military dying downside .

Mark Harris venne sostituito dell’ottimo pianista catanese Pippo Guarnera e al posto di Tony furono valutati prima diversi bassisti tra cui Giovanni Ferla, Pino Daniele e Bruno Limone. A lla fine però, la spunterà il musicista di Trinidad Kevin Bullen , futuro apprezzatissimo session man.

A chiudere il cerchio e in perfetta linea quell’ottica “ estensiva ” di cui parlavamo prima, in “ Mattanza ” vennero impiegati anche numerosi turnisti che diedero all’album un sapore ancora più avvincente: Agostino Marangolo dei Flea e dei Goblin , Bruno Biriaco dei Perigeo e Marvin Smith , già allievo di Max Roach e di Elvin Jones.
Un cast di tutto rispetto che non solo licenziò un disco apprezzato e vendutissimo, ma che catapultò il gruppo direttamente dal Festival del Parco Lambro al prestigioso Festival Jazz di Montreux.
Pubblicato nel 1976 dalla Ricordi con una copertina apribile e levigato sino ai minimi dettagli, “ Mattanza ” non raggiunse forse il pathos of first LP, but it certainly proved more mature and compact.

The sounds are manicured, the disc also takes a journalistic award for "Best Record of the Year " and perhaps not everyone knows that to drive the console was a sound engineer Roberto Satti , then owner of Chantalain studies and best known to the public under the name of Bobby Solo . It seems that James Senese
told him: " even if you're not a perfect technique, you have a musical ear, and we trust you " (source: ilpopolodelblues.com) .

Musically it has been said that the album " adds nothing new to the previous ", but personally I would go with some cautious statements: just listen to a song just like " Mixed Blood" which in addition to refer precisely to the company then (confrontational and mistrustful) , signs of a compactness and a stylistic curiosity really uncommon.
certainly are strong references to Weather Report, but the personality of Senese collective ability of the group is able to provide a framework made in Italy "absolutely worthy of the best international scene.

The Mediterranean and the sentiment are assigned to "O my grandfather": the portrait of a peasant funeral, but where " pietas" and concrete mix up to push the boundaries of the soul, making Napoli Centrale one of the best Italian companies in those years. Many

Association Mattanza "at the end of an era.
In fact, it was beginning another.

How Long Could I Have Bone Cancer And Not Know

Un cannonau sella e cimice

This morning I went down to the cellar to fish in 'reserve discount' my father suitable to accompany a red pocket stuffed veal cooked by my mother, and the polenta that I was about to stir. Made almost entirely out of buckwheat flour and a little bit of corn flour 'foil'.
Among the many bottles I noticed the tag line from Fontanafredda supermarket company, its appearance in the Langhe previous post. Langhe Nebbiolo DOC 2006 . Let's try it. I carry it in the kitchen and I leave an hour to acclimatize while, from a stirred with Tarela and the other, I keep reading de Solitude of Prime Numbers bestseller written, incidentally, just a Piedmontese.
uncork the wine, smell the cork e. .. bingo. Ruined. Moldy. The cork-compact and dry, the wine sour. It will be an amazing event, but the taste of La Lepre Dolcetto is a pleasant surprise for a company that, at least in the supermarket line, continues to leave me skeptical. also a prime number, then, that Dolcetto lucky. Descends into the underworld of wine discount, I leave the Piedmont and seeking consolation in Sardinia.

Sardegna Doc Cannonau 2007 Sella e Mosca
Stavolta il tappo non ha difetti di conservazione. Il vino ha colore rosso brillante con sfumature granate. Al naso è assai poco invitante. Il sottile strato di frutti rossi e acidelli come amarene e ribes è soffocato da un prepotente sentore selvatico. E' quello che gli esperti chiamano cuoio ma che qui è più complesso e comprende un po' tutto il mondo dei cavalli, dal sudore alla sella bagnata fino allo stallatico .
A questi si aggiunge un evidente sentore sapido come quello che si ha quando si apre un barattolo con il sale nella nostra casa the beach was closed for a year. And finally, the ugly balsamic that should draw the Mediterranean and then the myrtle, the Aleppo pine or strawberry and instead recall the scent of both bugs squashed.
The mouth has a good crispness but it is 'dusty', warm and moderately tannic. It 'not that ugly nose, even if they are always clear and the notes wild' green ', by adding a touch of green pepper that closes the taste.
short, regardless of a price that will certainly be very low, say that the 'most famous Sardinian company on the continent Cannonau has messed with this. There is definitely better. Both in an extensive range for all budgets, and in that of other companies, too 'supermarket'. Because if this is rightly praised as 'typical' of Italian grape varieties such as, precisely, cannonau, no thanks. A life-Merlot del Veneto.

Movies Like Disturbia And Never Back Down

School: multimedia design





Wikio

Implantation Bleeding Las For With Mutiples

Project ITER seeks industrial partners




Fonte video: You tube ( ENEANEWS )




Wikio

Deborah Sampsonwhat Did She Do In The War

Il Giro Strano: La divina commedia (1973, pubb. 1992)

The sextet of Giro Strano is another of those formations such as the Aeneid , the system and Good Old Charlie never managed to publish an LP during their activities.

The group formed in Savona in the summer of 1971 on the ashes of Tramps and Voodoo , two rather well-known bands in the area, and start to get noticed in several pop festivals and important including that of Villa Pamphili and Pop Meeting in Genoa.

At some point comes the contract proposal, but as in the case of Tramps, also Giro Strano being asked to move to Rome for sessions d’incisione. Nessuno dei componenti se la sente e l’avventura finisce.
Il cantante Mirko Ostinet tenterà senza riscontro la carriera solista, mentre Alessio Feltri formerà la Corte dei Miracoli nel 1976 e successivamente una nuova edizione del Giro Strano .
Fortunatamente, alcune registrazioni del gruppo risalenti al periodo ’72-’73 e rimaste per 20 anni in naftalina, verranno recuperate nel 1992 dalla Mellow Records che le ricompatterà in un album intitolato “ La divina commedia ”.
Anche di questa fatica però in ben pochi se ne occuperanno, relegando la formazione alla stessa oscurità in cui trascorse la sua esistenza.

Personalmente, non voglio soffermarmi sulla validità o meno di certi ripescaggi discografici che se da un lato hanno il nobile sapore dell’ agiografia , dall’altro suscitano onestamente qualche perplessità, specie nel caso di certe release talmente modeste da non aver nemmeno un valore testimoniale.
In questo caso però, ci troviamo davanti a un Cd che, al di là di una della più brutte copertine che si sia mai vista , presenta cinque brani estratti da matrici amatoriali che, a conti fatti, riservano anche piacevoli sorprese.

Admittedly, it should really be lovers of Italian pop to go into this long time in listening to music, however, merely a ' historiographical perspective and setting aside the obvious slander techniques, we must admit that if only this band could have an impact professionally and perhaps with the help of an arranger , probably not at all disfigured would have far more noble than colleagues.

To find out, however, must be at least bypass first two tracks ("The 13th transistor and "The corridor black, etched and treated the better) that aside from the sax colorings that give them a degree of originality, present a scenario essentially tonal formal : rhythmic hard-prog, high-pitched voice and that intercalates ipermodulata deadlifts (not exactly unknown here) , dynamic breaks, bridges atonal, changes of time the drum solo, the baroquisms, keyboards ian emerson and so on.

Only after the third track and unfortunately parallel to the end of the sound, a fact emerges ' unpublished compositional vitality (eg central and final parts of "Old Oldsea ") coupled with a changing deconstruction capacity that allows the sextet also baste lightly micro suites nice and crisp like the title track commendable .

Though penalized by a very modest acoustic spectrum, the technical capabilities the Giro Strano seem indisputable, and always by the third song, it emerges even the most exquisitely using creative solutions they would do to my throat even Ballet Bronze or Reverse of the Medal .
clear: nothing particularly original always seen the good things that circulated in Italy between '72 and '73, but all potentially offering a potential for publication and we would certainly knew well the six children of the "Giro " but, intimidated by the necessary travel Roman had to take note of their limitations. Too bad.

Moreover, the road to fame is also made and especially cross situations.
of artists who have had to abdicate for reasons far removed only to music is full the history of rock.

Difference In Pipe Tobacco And Rolling

Area: Arbeit macht frei (1973)

The first line Area ( Stratos, Capiozzo, Djivas, Lambizi, Gaetano and Busnello ) was born around 1970 but until then, his players had not only already twisted more than once during their lives, but each of them had accumulated so many and such experiences, to presage something extraordinary and unprecedented in the Italian world record.

Eustratios Demetriou ( Eustratios Demetriou name and last name then, who knows why, curiously inverted ) era nato da genitori greci ad Alessandria d'Egitto dove aveva studiato pianoforte al prestigioso conservatorio locale e dopo un periodo trascorso a Cipro, si era trasferito a Milano per seguire gli studi di Architettura che lasciò per entrare nei circuiti musicali: prima con i Ribelli e poi da solo (il suo primo 45 giry "Daddy's Dream " del 1972 fu per la Numero Uno di Lucio Battisti ) .

Giulio Capiozzo studiò anch'egli al Cairo dove imparò le poliritmie: emiliano di lontane origini Turche passò anche molto tempo a Parigi dove conobbe Kenny Clarke e il Be Bop . Tornato a Milano In 1969, he met Stratos.
Excellent fiatista Victor Edouard Busnello was a wanderer who is said to have known Miles Davis in Paris, and always in the "ville lumière " Capiozzo met while serving in the orchestra of the same Kenny Clarke.

Bassist French Yan Patrick Erard Djvas arrived in Italy with the group of Rocky Roberts and played briefly in the band Lucio Dalla with keyboardist Leandro Gaetano.
Johnny Lambizi was instead a Hungarian guitar on which you do not have much information, but he too was part of the first Area, making a significant contribution to draw sketches of the early original songs of the band.

contacted by the manager Franco Mamone , the infant group Area "began a series of concerts in the mold predominantly" free jazz "not very successful from a dramatic point of view, but that gave way to the quintet's sound is close and " live" alongside stars of first magnitude which Nucleus and Gentle Giant, both in the studio alongside Aberto Radius in his first solo album .

In 1972, Gaetano and Lambizzi abandon training for compatibility issues and enter the jazz keyboardist Patrizio Fariselli (former companion of Capiozzo ) and guitarist Paolo Tofani that after an intense English experience, knows the area through Mamone and Gianni Sassi .

So finally stabilized, the sextet began to try together, collective organization of the material ready, but still fragmented.
The official presentation of some tracks are in the summer of 1973 during a jam session-all ' Altro Mondo Rimini leaving stunned the press and colleagues. Signed to Cramps of Gianni Sassi immediately entered the studio to begin in September 1973 with their first album: "Arbeit macht frei " a disc destined to revolutionize the history of Italian music .

Since controversial title (bearing the famous phrase of Diefenbach shown at several Nazi concentration camps) , from the cover depicting a distressing sculpture Edward Sivelli and the famous cardboard gun to 'internal (which is not a as P38 vorrebbe qualche critico) , il long playing si preannuncia stridente e maledettamente provocatorio e di fatto, l'ascolto è un vero shock.

Una voce femminile che recita una poesia pacifista e d'amore in dialetto egiziano (" abbandona le armi amore mio e vieni a vivere con me in pace ") viene bilanciata improvvisamente dalla voce di Demetrio e dal VCS3 di Fariselli che attaccano uno dei più bei riffs della storia della musica Italiana: si tratta di " Luglio, Agosto, Settembre (nero) ", sintesi suprema di tutta la filosofia " Area ".

Here is reported the war, the attack on the experience and knowledge of the people, against zeroing of sensory experience that pushes individuals toward approval, against the suppression of the dialectic of confrontation and human .
A real slap in the face to ' bourgeois hypocrisy that characterizes the rest of the album through violent episodes and new musical solutions and extremely unconventional.
Esmpio practice, the title track in which the evocation of anti-Semitism is opposed to the massacres that the Jews themselves were committing against the Palestinians.

The sound is violent and unusual synthesis of Jazz Rock, John Cage, Nucleus and Soft Machine's jazz mixed with Derek Bayley, Cecil Taylor and Art Ensemble of Chicago.
grafting also simultaneously Arab and Balkan polyrhythms, support is compact with an inventive and experimental use of the voice of Demetrio Stratos , which earned the singer more than an artistic recognition, mixed with considerable attention scientific (there is evidence that could emit sounds close to 7,000 Hertz, as well as diplomatic and tetrafonie).

Not only that, where present, the texts were treated with a thoroughness and attention to the sociological limits of militancy: they were direct or allegorical, were not trivial and borders often have high levels of poetic and evocative.
omnipresent in all the major festivals Pop Area developed a musical and visual conflict that not only cemented them to the nascent counterculture movement , but quickly took them to a huge level of popularity.

Now, I will not dwell here on matters already discussed extensively. If anything, for the curious, the Board "The Book on Area" by Domenico Coduto (Auditorium Edizioni, Milano, 2005) .
So che su " Arbeit " si potrebbero scrivere ancora moltissime pagine, ma per il momento credo che il miglior modo di prendere coscienza di questo album sia di ascoltarlo e parlarne.

AREA - Discografia 1973 - 1978:
1973: ARBEIT MACHT FREI
1974: CAUTION
1975: CRAC
1975: ARE(A)ZIONE
1976: MALEDETTI
1978: GLI DEI SE NE VANNO, GLI ARRABBIATI RESTANO

Letter Gifting Property To Family

Una Lepre da acchiappare al volo

Last week I was having dinner in Perugia in a delicious wine in via Cavour, run by a nice and brilliant sommelier. To be carried away by specialty on the menu there was to climb into the carriage for a trip from appetizers to desserts and back and then start again with a rising tone. But the resonance of our stomach was not able to withstand such a cavalcade of taste, and so we decided to focus on a single dish. My friend
a nice cut of entrecote with vegetable ratatouille . I strangozzi with tomatoes, bacon and parmesan Norcia 'intruder' in Todi .
And the wine? The list was suggested to different region, but my 'nordismo', at least for my 'wine camp' totally dissimilar from the political, led me to look between Piedmont, Trentino and Friuli.
"Let's Dolcetto d'Alba Prunotto " , I told the sommelier.
this and get back into his hands a bottle with a pretty label con scritto 'La Lepre' a caratteri pelosi.
"Prunotto l'ho finito. Se vuoi ho questo Dolcetto di Fontanafredda. E' molto buono" .
Fontanafredda . Un nome che troppo spesso associo agli scaffali dei supermercati più comuni, nemmeno a quelli che negli ultimi anni si sono attrezzati allestendo veri e propri reparti-enoteche. E poi, insomma, non amo particolarmente andare a pescare nelle cantine di aziende che fanno, nello specifico, 6milioni500mila bottiglie l'anno. Un caso più unico che raro, nel microframmentato panorama vitivinicolo del Piemonte di qualità.
Il tizio però mi dice di fidarmi, perché il Dolcetto La Lepre fa parte della nuova linea per la ristorazione Fontanafredda , to taste than to limit the change. God forbid. Far be it from me to break my balls for reasons other than the obvious shortcomings of traditional storage.
And that wine is perfect. Already a 'stolen nasata' offers a "intriguing array of red fruits, with a woody note is highly sensitive and a ..." .
"Ssssh. Silence - I interrupted you - come dishes" .

Dolcetto Diano d'Alba DOC 'The Hare' 2008
... we said, as the glass of wine a deep ruby \u200b\u200bred color with violet hues. The aromas are very attractive and reveal the nature of the grape and a process in which the aging in wood is had his share without going to cover the primary aromas of the grape candy. The initial feeling is similar to that which occurs when you open a jar of jam blueberries. And blackberries and cherries, in a more nuanced, enhanced by a breath spicy black pepper. Feelings that come back in the mouth on a tissue of soft tannins and a backbone of freshness that invites us to drink and ending with a nice end of almonds. A perfect wine with main courses from flavor and spicy as my strangozzi truly orgasmic and egregious even to enhance the succulence of a size. At a price - 17 € the restaurant, wine bar in 12 - pretty interesting. A joke without
Dolcetto, in fact. Especially if eaten in the company of hare that there is more delicious ...

What To Write Friend's Wedding

Capitolo Sei: Frutti per Kagua (1972)

IN COMMENTS: INTERVENTION MAURO ROMANS, CHAPTER 6
bassist AND MIRKO Tessandori

On the history of this group has been created over time a lot of confusion. The card that follows attempts to reconstruct the story nearest degree taking into account the latest evidence.

I Chapter Six was formed in 1969 by the merger of the Leghorn " Rangers " Viareggio and "The Hermit .
The original lineup consisted of two drummers Bartolotti Richard (vocals, guitar, flute), Jimmy Santerini (keyboards, vocals), Giovanni Galli (bass, drums) soon replaced by Mauro Romani (bass), Lorenzo Donati (drums, vocals) and Luciano House (guitar, drums).
E 'therefore cast doubt on the fact that the group was in Rome as is often reported.
Moreover, according to several authoritative voices including that of Paul Barotto , the band released a single for almost the newborn Atco ( Cool Jerk "," Please, Please, Please "covers both the Capitols ) but this news is questionable to the point that will flatly contradicted by one of the group (source www.italianprog.it) .

In Rome, the band was signed to the label IT (a subsidiary of RCA, directed by Vincenzo Micocci) thanks to the intercession of his friend and producer Franco Tessandori Viareggio and in 1971 its first public true single "I Love You .
same time, it is noted both Viareggio Pop Festival of 1971, and as opening act Roman concert of Led Zeppelin . In the same period also indicates an appearance on Tele Koper but where lack Romans and House , quest'ultimo sostutuito da un non meglio identificato chitarrista di nome Roberto .
Nel 1972 la formazione si riduce a quartetto con l'uscita di Santerini e restano della partita Bortolotti, Romani, Donati e Favilla che, sempre a nome di Capitolo Sei , pubblicano in marzo il loro primo e unico album: " Frutti per Kagua ", un album concept sulla vita dei pellerossa americani.
Il disco presenta due facciate piuttosto diverse tra loro, ma omogeneizzate da un sound duro, spigoloso e per ampi tratti autenticamente " progressive " (es: " Il tramonto di un popolo ").
Il lato A is entirely occupied by long symphony " Fruits for Kagu " whose 18 minutes are ideally divisible by three movements.

The first is essentially hard rock with many concessions to Prog especially in breaks between verse and the other, distinguished by the aggressive voice of the singer and rhythm of laudable steps Donati and Romans, well counterpointed by flute and sax. The next 9 minutes
offer more relaxed atmosphere along the lines of King Crimson , but with a touch of Mediterranean in the most pleasant rhythmic crescendo leading to the final section.
La coda del brano infine, riprende l'introduzione seguendo un classico schema mutuato dalla musica classica e dal Jazz.

Il lato B presenta invece tre brani più corti e strutturati in forma-canzone senza però concedere nulla alla melodia tradizionale:
" Grande Spirito ", " Il tramonto di un popolo " e " L'ultima notte " sono sostanzialmente delle mini-suites progressive dall'impatto complesso, articolato e soprattutto molto affascinanti dal punto di vista esecutivo.
Nobilitati dagli splendidi testi del giovane Francesco De Gregori e di Edoardo de Angelis ( quindi non Guido e non Maurizio De Angelis, which have nothing to do ), all the pieces of the second side consists of continuous overlapping polyrhythms, breaks, counterpoint and vocal interventions that drive and surprisingly modern.

Unfortunately, being so forward with the times not helped Chapter Six whose products 33 and 45, yielded no response or loss.
After a final appearance on the compilation " Sanremo 1972" with a cover of " Jesahel " Delirium of and the pop song "I Love " (always with arrangements by Frank "Terry" Tessandori) , the four split and the only Favilla will for some time to flesh out the ranks of the Champ de Mars .

With a beautiful graphics (complete with gatefold flaps to be hung on the wall), this can only be attributed ELLEPI some redundancy in the rhythm and harmonics coming off one hand, proves the advantage of actually 'album, but on the other, are slightly excessive and forced.
However, beyond these critical minutiae and his undeserved oblivion, " Fruits for Kagu " is an album that should definitely appear in any self-respecting disco Prog.

Sony Network Smart Capture Descarga

1976: Le piogge di giugno.

SERIES: HISTORY OF ITALIAN PROGRESSIVE ROCK

In 1976, the deep crisis that Italy continues unabated.
Politically, alternate three legislatures - any Democrat -, two of which were chaired by Aldo Moro and, since July 29, one called Andreotti III will be the first to include members of the PCI and independent left.

In March , the effects of 'austerity since 1973 compel citizens to heavy emergency measures, culminating in the devaluation of the Lira 12%, the ' tax increase, the escalator block and a little later, the elimination of certain holidays existed for centuries: Saint Joseph, Saints Peter and Paul, Corpus Christi .

L ' abortion continues to be a crime but, thanks to the efforts of the feminist movement and Radicals, April 15 are presented in cassation 700,000 signatures that require legalization. It will take two years to see results.

The so-called strategy of tension does not stop with the arrest of BR Curcio in January, but continues to claim victims among which the judge Occorso at that time was investigating the massacre of Piazza Fontana , on the relationship between neo-fascist movements and secret services diverted, and the Masonic Lodge "Propaganda 2 " that will join two years later, the current Chairman of the Italian.

In terms antagonist, one of the leading of 1976 was certainly the violent crisis that swept the dissident groups and creative, advanced by De Gregori trial in April, broke with the Parco Lambro Festival in June and ended with the dissolution of Lotta Continua in November.
The main driving force behind the breakup was certainly the " crisis of militancy, which occurred because of failure to overtake PCI against Christian Democrats in the elections of June 20.

Generations of young people set as their policy objective the overthrow of the system bourgeois-Democrat, not only fail suddenly saw years of sacrifice and struggle , but seriously began to wonder what their further involvement would be more sensible. This is especially true when a new subject extrapartitico (young people born in the peripheral urban slums who wanted to regain possession of their own territory) and women's movement were putting hard crisis in the myths of tradition terzinternazionalista .

After the election defeat, so if the problem was pursued in the "dialogue dissident ” con il Partito-guida o staccarsene completamente, conquistando e autogestendo i propri spazi a partire dalle nuove esigenze collettive.
Alla fine dei conti, la teoria del “ personale è politico ” ebbe la meglio e si concretò nel giro di un anno nel movimento del ’77 .

In sintesi, il 1976 fu un vero e proprio terremoto ideologico ed esistenziale che diede il colpo di grazia non solo ai militanti dei “ gruppi ”, ma anche a tutte quelle realtà artistiche e creative che sinora erano state veicolate dal movimento.
La disfatta avvenne Just six days after the election during the traumatic Parco Lambro Festival in Milan (26-30 June) , where the "old " movement had to admit between violence, heroin and expropriations , 's inability to reconstruct in a single body all parts , helplessly all'insanabile rift between two generations: the anarcho-nihilist prevalent in sub-matrix and the proletarian militant .

The regroup in the wake of the statement that followed the new requirements: certainly preluse da nuove immaginazioni, ma con canoni completamente differenti da quello storico collettivo Controculturale che, tra le mille cose, aveva amato, promosso e catalizzato per esempio, il Progressive Italiano .
In sostanza, da quei piovosi giorni di giugno, per il Pop di casa nostra nulla fu più come prima: linguaggio, ambientazione, protagonisti e organizzazione.
L'agonia del "movimento" priverà il Prog non solo di un importantissimo canale promozionale (demandandone la veicolazione alle poche Radio libere democratiche che lo trasmettevano) , ma anche di quelle forme organizzative libere e autogestite in cui il desiderio creativo sorpassava di gran lunga quello commerciale.

Dialetticamente, scompare definitivamente l’aulica comunicatività degli anni passati per lasciare spazio a forme espressive più dirette e non più riconducibili ad un solo genere musicale , quanto semmai, alla sommatoria di più impulsi differenziati .
Il livello dello scontro viene resettato nuovamente ad una fase pre-movimentista che si concreterà in breve nella rivoluzione del Punk and '77 Bologna, with its full load of despair and irony.

The Prog therefore, was over.

Then there was no time for looking back, but now that we are fortunate to do so with confidence, we can certify with confidence that the season that went from 1969 to 1976 represented, in spite of many painful aspects, one of his most exciting and significant of our music and our society.
Even today, fine-tuning hearing, we can meet hundreds of music tracks or the presence of players of those years. This means that has been limited to, the season of Prog showed that it was possible to achieve virtually also wildest dreams, proving that sometimes "do " is not so complicated.
enough to want it.

pages more 'important historical
70 YEARS OF ITALIAN PROGRESSIVE :
1972: THE SEASON the underground
1973: THE SEASON OF COUNTERCULTURE
1974: THE TOUR BOA
1974: FREE MUSIC!
1975: eye of the storm
1975: FEMINISM
1975: THE REVOLUTION OF RADIO FREE
1976/77: who broke the piggy bank?

What Th Bsst Perfume Formen

Rustichelli e Bordini: Opera prima (1973)

The Buck Camel indifference begins in May 1972 Festival Pop Villa Pamphili few months later and obtained a recording contract with the Delta, a subsidiary that the RCA had already hosted the Flea on the Honey and the former Metamorphosis Davide Spitaleri .
Unfortunately, again failing to produce anything concrete, they are advised to change definitely register.

From the group then come off the keyboard player Paolo Rustichelli (son of the famous Charles, author of soundtracks) and percussionist Carlo Bordini they consider self-sufficient, they form an unusual duo keyboards battery, even managing to get a contract with RCA and record an album of interesting Italian prog.

of this work is entitled "Opera first" surprise first sounds.
agree that the RCA had means powerful, but what staggers at first hearing is that although the disc made with only two instruments (keyboards and drums) , it seems to be in front of an entire orchestra.

Rustichelli handle at least a dozen keyboards, both acoustic and electronic returning an extraordinarily dense and complete dynamic range where even the low frequencies are reproduced properly with appropriate phrasing and adhere to its role harmonic.

The powerful drumming Bands does the rest embroidering form, are the harmonies with class and power, and completing the harmonic spectrum with an incessant drumming.

This bonanza has masterfully summed up in the opening track, " Nativity" in which they emerge continuously the quality of this production: an orgy of keyboards suspended between openness and romantic views of die hard restarts -prog.

The rest of the album, however, gives way aun bit 'too convoluted sound without touching the top of the first track, aided especially questionable actions of a monotonous voice and shouted, that seems to want to " break "rather than" enrich "the sophisticated instrumental arrangements.

note of praise, however, for" Sweet Sister "proud and romantic in which the dedication rests is a pleasant alternating between structure full and empty, is a hymn that fails this time, to give the best.

In closing, it strikes again " Cammellandia " (title inspired by the former group, probably the two musicians) that surprising variety and sophistication.

In the end, still a bit 'of bitter taste in mouth for what (ex-post) will prove the last song of the couple Rustichelli - Bands : after "Opera Prima", borders will become part of the "Five Cherry" (future Goblin) and Rustichelli, emigrated in America, will focus entirely on movies.
"Lucky" or "unfortunately"? Who knows?

However I pass a secret for me " Nativity" is one of the best tracks of the progressive Italian.

What Happens If My Plasma Lamp Breaks

Turn Coca Cola and Red Bull







Wikio

Carbonated Water Endothermic

Area: Maledetti (1976)

After a year of intense activity live immortalized excellent " Are (A) tion," the area that had become the only group truly representative of counterculture, celebrated with " Damned" (1976) a further phase of its complex evolution.
After the provocations of Arbeit and Caution and the apparent relaxation of Crac, looms in the minds of the quintet Milan celebrate the post-industrial chaos .

We are in 1976 and is an air of crisis full, and not only that which arose because economic through the devaluation of the lira el'austerity but especially the one concerning the world of work that needed to face up against a heavy offensive manor time to clear at least 15 years of workers' struggles . Also add the struggles for housing, women, armed struggle , and you will have much to think about a system in transition from one phase "post-war matrix pre-industrial" to " post-Fordist "anticipate that the service sector.
a profound transition that would also partially modified one of the most important group in the history of Italian Prog.

Iin June the movement will be stalled and opportunities to perform live will be less and less in line with a radical change of the audience. The Area then decide to dedicate most of the 76 individual studies which resulted in both the solo albums of Stratos, and Fariselli Tofani, both in number of trips initiation. Demetrius in Greece, and Giulio Ares in the Basque country and in Italy where the orchestra will play for a short period of Mingardi, gaining the decision of wanting to concentrate more on jazz than on experimentation.

The opportunities for collective exhibitions there from Paris to Lisbon, but just before entering the studio, and Capiozzo Tavolazzi decided that for them, the way of area was no longer the only practicable.
Fortunately, the decision is not precluded them from working on the new album, but apart from that, it was already clear for some time that the group would be more open to experiences expanded
and what actually took shape in fall through the recruitment of the saxophonist Steve Lacy and percussionist Paul Lytton con cui Tofani, Stratos e Fariselli avevano già tenuto un concerto alla Statale di Milano.
In buona sostanza, “ Maledetti ”, uscito alla fine del 1976 passerà alla storia per essere stato uno degli albums più eclettici degli Area , pur senza rinunciare a una forte poetica sociale che, se ci pensiamo, suona ancora oggi incredibilmente moderna.
Concettualmente si immagina che un cervello elettronico al plasma contenente tutta la memoria dell’umanità , vada in tilt a causa della forte confusione Social ( Diforisma urban ) and dispel all traces: classical to modern era ( Evaporation "," Brandenburg Massacre ").
At this point, either Area propose three solutions:
1) entrust the power to elderly who, with their historical memory, could not only lead the company, but the riapplicane content in a revolutionary way (" gerontocracy )
2) Empowering Women to that since they were always put aside, could solve the chaos with new rules. ( Scum, "the book by ultra-feminist Valerie Solana s the attentarice of Andy Warhol )
3) Recreate the story with the freedom of imagination, giving the empower children ( Giro, ride, round )

If most of the album is entrusted to the narrative the main theme (including in it the dissolution of classical culture) , precisely because they have not defined any solution to its conclusion (" Chaos II") is entrusted to the celebration of the freedom of choice through use related sensations.
Technically, each musician extracted in the case of notes corresponding to different sensations and the sudden consecutively for about ninety seconds, release and occasionally referring back to the rest of the group. All to argue that "even in the deconstruction, there is room for awareness" idea flavor "situationist " which not only reiterated the immense creativity of the group, but also his extraordinary ability to read the socio-political events.

Musically the disc suffers from strong injection Jazz extent by other people, including Walter Calloni, Hugh Bullen , brothers and Arze Eugenio Colombo, but without giving a real moments of Prog Mediterranean or conscious vanguard.
At times the "digressions " individual prevail (eg " Scum ") and many considered the album dispersive, but the great intellectual rigor requires us to consider the album" Damn "as a unique and irreplaceable piece of the history of Italian Prog.

AREA - Discography 1973 - 1978:
1973: Arbeit Macht Frei
1974: CAUTION
1975: CRAC
1975: ARE (A) TION
1976: DAMN
1978: THE GODS MUST BE IT, THE ANGRY BEAR