The Buck Camel indifference begins in May 1972 Festival Pop Villa Pamphili few months later and obtained a recording contract with the Unfortunately, again failing to produce anything concrete, they are advised to change definitely register.
of this work is entitled "Opera first" surprise first sounds.
Rustichelli handle at least a dozen keyboards, both acoustic and electronic returning an extraordinarily dense and complete dynamic range where even the low frequencies are reproduced properly with appropriate phrasing and adhere to its role harmonic.
The powerful drumming Bands does the rest embroidering form, are the harmonies with class and power, and completing the harmonic spectrum with an incessant drumming.
This bonanza has masterfully summed up in the opening track, " Nativity" in which they emerge continuously the quality of this production: an orgy of keyboards suspended between openness and romantic views of die hard restarts -prog.
The rest of the album, however, gives way aun bit 'too convoluted sound without touching the top of the first track, aided especially questionable actions of a monotonous voice and shouted, that seems to want to " break "rather than" enrich "the sophisticated instrumental arrangements.
note of praise, however, for" Sweet Sister "proud and romantic in which the dedication rests is a pleasant alternating between structure full and empty, is a hymn that fails this time, to give the best.
In the end, still a bit 'of bitter taste in mouth for what (ex-post) will prove the last song of the couple Rustichelli - Bands : after "Opera Prima", borders will become part of the "Five Cherry" (future Goblin) and Rustichelli, emigrated in America, will focus entirely on movies.
"Lucky" or "unfortunately"? Who knows?
However I pass a secret for me " Nativity" is one of the best tracks of the progressive Italian.
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